Paula Eisenstein is a wonderful author who I interviewed here earlier this year. You can check out that post for more information about her and the story of how we met–today I’d like to focus instead on her debut novel, Flip Turn.
Let’s start by glancing at the back cover copy:
“In Paula Eisenstein’s spare and provocative first novel, a young girl must come to terms with the discovery that her brother killed a young girl. Feeling alienated and not knowing how to ask for help, she decides that suppressing her sexual development will ensure she doesn’t do the same thing.
In Flip Turn, Eisenstein has created an unforgettable narrator whose success as an athlete leaves her conflicted about the attention she receives. She fears it will remind people of what her brother did and draw negative attention to her family. As her swimming triumphs lead her to the Olympic trials, she recounts her own sexual abuse at the hands of a swim coach and must decide if she should give up her passion to try to find a more normal life.”
Flip Turn is written like a diary. The narrator goes on tangents fairly regularly, which wouldn’t work in an adult book, but helps give the book a teenage feel. On top of having a murderous brother, Flip Turn’s narrator faces the same issues as other teen girls: too much homework, moving, trying to make friends and a constant internal debate about her own self worth. Flip Turn deals with many issues common to teenage girls in an honest way without focusing too hard on any one issue. Flip Turn is also a distinctly Canadian book taking place in London, Ontario, and I’m a sucker for Canadian books.
This book is written for teens but I can certainly see an appeal for adults. It’s an interesting look at competitive swimming, which I knew very little about before reading the book, and a fascinating look at the impact one person’s crimes has on their whole family. I find this particularly fascinating because in the news they never talk about these people. We always hear about the impact on the victim’s family, but never about how violent crime impacts the perpetrator’s family.
The writing style feels very true to a teenage girl’s voice, and the editing is incredibly clean. In fact, this is the best edited book I’ve read in a long time. I noticed a few places where phrasing was weird and a sentence sounded awkward, but not a single typo made it through. This is incredible when even most traditionally published books have a couple errors that made it through.
My only complaint about Flip Turn is that it didn’t truly feel finished at the end. I can’t help but think that there’s more to the story, that something got missed somewhere or perhaps intentionally left out, something that would’ve rounded out the story more. Still, the ending was appropriate even if it felt a bit abrupt, and it wasn’t a Disney happy ending or a tragedy. I’m always happy when an author respects their story and chooses to take the middle ground with their ending, rather than conforming to formulas in the hopes of selling books.
All in all, Flip Turn is a fantastic novel. It’s a window into the life of one teen girl, and her story is powerful enough to reach across all generations. My biggest hope for this book is that nobody will turn it away because it’s about a teenage girl–this story isn’t just for teens, even if the story is about one.
I’m going to rate Flip Turn a 4 out of 5 on the Awesomeness scale(yes, ‘awesome’ is a measurement).
Would you like to read Flip Turn? If so you’ll be thrilled to know that Paula has donated a copy to be given away when I reach 400 subscribers. Don’t want to wait? You can purchase Flip Turn here.